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Yamaha FZ8 teases web designers

network continues to circulate in the first pictures of the new virtual naked muscular of the three forks of the Japanese. Processing in photoshop for everyone

After seeing the preview of front headlight, and the development of French designer , Jerome Vannesson ( Moto Revue ), here's another virtual reconstruction of future Yamaha FZ8 .

This time, no colors and strong lines, but a stylized choice in harmony with the FZ1 , Which lends to the cause of the frame, tank and tail section. A naked short town, proposed by Germany's 'Motorrad'. Even though for now design is free to every possible interpretation , leaving room for imagination and creating a really great anticipation around the new model. The French rendering

presents instead a mix of very sharp lines that go well with the philosophy of sport home Iwata. The flavor is also racing package structural frame and swingarm, as well as radial caliper brake anteriore.ù

Source: Moto

http://www.moto.it/news/yamaha-fz8-come-sara-photoshop.html . it

Cruising Spots Jacksonville

HAPPY HOLIDAYS

The motogruppo LIMAGOMME and the staff of "Viamaggio running" wish you a Merry Christmas and happy new year, pending the arrival of spring and warmer days, for our horses on two wheels.

Doublelamps.

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Under the dress, the stories

An essay by Anna Falcioni: the luxury of a human prince for political image, and the stirrings of rebellion among the people

And under her dress, there are stories of society. Everywhere and always. Anna Falconer (Professor of Medieval History at Urbino), explains it with careful attention to talking about the fashion of the court at the time of Pandolfo III Malatesta (1370-1427), Lord of Fano.

one hand, the prince said to be 'necessary to give subjects the lavish spectacle of his auctoritas. " Second, there are "stirrings of rebellion and turbulent currents of social mobility 'that counteract the political ideal of" a hierarchically organized and orderly society. "

Thus, the clothes make the prince. The inventories that can be read between the old maps Malatesta, there are dry lists (let's not ever, not even to be justly excommunicated by Umberto Eco), but tracks that make the end a clear picture of that society: by renowned artists who work for the Lord, and with its substantial investment policy to build an image with which to compete against other principles.

not always allowed great expense budgets. And then we went to the loan, as in 1427, when Pandolfo turns to Venice. And even these have their own smell political money. Pandolfo increased from Visconti to Venice: in exchange for good 'conduct', or military engagements, which are useful to cover "the costs of wasteful patronage" Malatesta.

The 80 pages of Anna Falcioni ("The costume and fashion in the court of Pandolfo III Malatesta," Fano 2009) are rich in information which is not only clothing or jewelry, but also society and culture of an era that serves as bridge to modern civilization.

costs more ('think') books about horses and precious material with attached desk. An image repeats an ancient code, of St. Augustine "De Civitate Dei" preserved in Gambalunga in Rimini, Pesaro, but to run between 1417 and 1420 by Donnino of Borgo San Donnino.

Stock. On
Pandolfo III and culture you can read this post "between Rimini and Manchester: Nicholas of Lyra (1270-1349)."

[14.12.2009, year IV, no post 353 (1073), Antonio Montanari by © 2009. Mail .]


No stopping. Antonio Montanari. blog.lastampa.it
© PLAY PRIVATE

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Mum - Sing Along Songs You Do not Know

as polite request, the album dei Mum:

http://wikisend.com/download/503882/Mum2009-01.zip

http://wikisend.com/download/450624/Mum2009-02.zip

pass: fregheria

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James Malatesta .

Grandfather killed in the siege of Pavia, 1528. Brother beheaded in Rome as a bandit, 1587. Killed by another brother did Cosimo de 'Medici at Famagusta, 1564. He had seduced a daughter already betrothed to the Duke of Ferrara and then poisoned by her father.

him, this brother James Malatesta revenge, and soon after, happily married, 1565. E 'was born in Florence in 1530. Become Roncofreddo Marquis and Count of Monte lands of Romagna. Is a soldier of fortune like so many other "lords" local. He's right

Anna Falcioni (who also worked on this twenty-volume history of the Malatesta, Bruno Ghigi Editor in Rimini): The political game is played at high levels "and the gentry lends itself as a mercenary force [...] but it is completely cut off from decisions that count."

In the presentation of Anna Falcioni, I read with pleasure the words (1961) by Romolo Comandini Giacomo Malatesta defining "typical representative of the Counter to familiarize with the more prominent of that singular time," with "the love of fame, even in the glory that can be achieved with the nobility of work. "

Comandini was a scholar who (in very difficult times, a political commentator would say), has opened new avenues of local history, making it not a world away from events at home, but rather revealing hooks and links, with a critical vision that is underlined today. As evidenced by the quote by Anna Falcioni.
And that comforts the memory of those who like myself was very far his student years in school, getting a mark in their fundamental human experience and study.

Giorgio Bolognesi says among other things, in the large section on the life of our political and military, also starring James in the crusade against the Turks, and his captivity in Constantinople (1571): naked, with strains feet, chained to other fellow sufferers. A

Paola Errani and Claudio Riva we owe the story of a local affair, the Society of the Sacred Stigmata.

Gian Paolo Giuseppe Scharf finally examine the letters of James with the Dukes of Urbino, concluding that the ties with the powerful Malatesta was used to "even to settle his family in the nobility."

From letters, Scharf concludes, we get now as the Renaissance ideal of the gentleman was detached from the court.
As evidence of a general political crisis that is clearly reflected in the experience of James Malatesta.

Anna Falcioni, in addition to all the volumes edited the history of Malatesta, has also drawn up the following items for the "Biographical Dictionary of the Italians" (ed. Treccani, Rome, 2007):

Malatesta (de Malatestis) Pen, pp. 66-68.
Verucchio Malatesta, pp. 68-71.
Paul Malatesta, pp. 101-103.
Giovanni Malatesta, pp. 53-56.
Malatestino Malatesta, pp. 71-74.
Malatesta Pandolfo I, pp. 84-87.
Ferrantino Malatesta, pp. 34-37. Malatesta said
Ancient Ruin, pp. 74-77. Malatesta
Loyal, pp. 63-64. Jailbird
Malatesta, pp. 40-44.
Malatesta Ungaro, pp. 44-47.
Malatesta Pandolfo II, pp. 87-90.
Malatesta of the Sonnets, pp. 77-81.
Galeazzo Malatesta, pp. 37-40.
Pandolfo Malatesta, pp. 95-97.
Carlo Malatesta of Rimini, pp. 17-21.
Carlo Malatesta of Pesaro, pp. 21-23.
Malatesta Pandolfo III, pp. 90-95. Malatesta
Jailbird Belfiore, pp. 47-49.
Jailbird Roberto Malatesta, pp. 49-51. Sigismondo Pandolfo Malatesta
, pp. 107-114.
Roberto Malatesta, pp. 103-107.

Pandolfo Malatesta IV, pp. 97-101.

INDEX page historical present on "IT TELLS RIMINI"

Place Name From Cryptic Clues

New Yamaha FZ8


House of diapason three runs for cover to churn out anti Z750. On the official website the first photo of the front light look promising ( SITE YAMAHA ). A bike designed to bridge the gap between XJ6 FZ1 and not encroach on their market shares. Sports is also versatile and intuitive, this is how it should be. The increase in displacement also promises more torque in the lower compensating for the lack of disbursement of the older sister. We look forward to. Commented

to have your say.

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It 's a tough world

for friends Enduro (and beyond): link to article .

I wonder, between the ranger's possible that there is a rider? The justification of why the enduro take away the plates is simple and I understood: among trees, I skip the plate and is easily subject to damage and, in most cases, loss of the entire bay. the loss of that you need a new vehicle's registration for the modest sum of 130 € and exhausting queues at post offices, and MCTC. The penalty provided for failure to report the loss is 78 € ( art.10o paragraph 1 and 11 of CDS) without deduction of points. What do you most agree?

But journalists know likes to exaggerate, better to use terms like "massacre" and "spectacular chases, instead to disclose the true reasons for this. Another curiosity, but how come when you move these "monitors-woods" are now labeled as a walker texas ranger, and when they do the other organs of control they say little or nothing?

Duoblelamps.

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All agree it?

There is an argument that we would all agree ...... the bike, which he understood?

As you can see the crossing point Viamaggio there are admirers of curves much more intriguing than those made of asphalt.

the day that Valentino Rossi became the ninth time world champion the Tuscan smells of mushrooms and chestnuts, some work at home and then go meet the two Yamachiche back from Tavullia . The passage is filled with cars waiting on the docks with hunters and mushroom hunters crowded into small groups, as I passed turn and looks at me disgusted, I know not everyone is beautiful, more so now for the pass is "your", enjoy! The spring seems far away, the colors of the trees, the leaves on the pavement and patches of damp testified, season over. Limagomme But do not give up so easily, go back there even on cold winter days, as they did, the cold tempering the passion for two wheels, and while it makes you shake like a leaf, the other makes you feel alive , live goes beyond just breathe.

A salute to the legendary and Drufa Pecci. ;-)

Doublelamps.

Letters Reqeusting Confirmation To Priest

VladislavDelay_Tummaa

 Download:

   http://wikisend.com/download/574300/vladislav   delay - tummaa.rar 
                                               
   http://wikisend.com/download/597350/vladislav   delay - tummaa II.rar 
   
  

Tummaa essentially features a live trio – Ripatti on percussion, Argentine musician Lucio Capece on clarinet and saxophone, and acclaimed Scottish soundtrack composer and arranger Craig Armstrong on piano and Rhodes (Ripatti previously collaborated with Armstrong on the 1995 album The Dolls, along with Ante Greie). Ripatti set the tone, recording his drum parts and then inviting Capece to his studio to improvise alongside the drums. Armstrong offered recordings of pure solo piano playing he had made for the project. From these two sound sources, Ripatti began composing and arranging, and wrote a whole suite of music.

With this project and these sounds I try not to let any outside influence come through and just fully trust my instincts to make the music I really need to bring out and hear. I try not to think or analyze, I just go at the moment and play as I feel. It's the introverted and slightly darker side of me, the anti-pop persona that comes out on this project."

Created during the winter while Ripatti and his family were living on a remote island in the Baltic Sea within the Arctic Circle, he explains that Tummaa means dark or darkness, which reflects the music on the album somehow but also the fact that I worked on the album during 'kaamos' time of the year in Finland. Kaamos time really gets dark from December to February where you only have few hours of light per day. I really liked that and the whole winter enormously.

The results are jaw-dropping. Venerated as a master of rhythm and a true artisan of the studio (the photos of his immaculate analogue studio from The Wire's 2008 cover shoot had gear hounds aquiver) capturing resonant, organic and acoustic sounds and coercing them into unearthly cadences and foreign textures that are unlike anything else – yet irresistibly hypnotic. (His disclosed past as an enthusiast for mind altering substances comes as no surprise). Ripatti's love of jazz is also never far from the surface.

Jazz has been the most influential thing in my life without a doubt. Musicianship, creativity, pushing the limits, improvisation… I think no matter what type of music I'm making my jazz roots and appreciation of it plays a big role. There are some exceptional things that happened during the 60s and 70s that are very important to me. What some of the greats did shaped the future of music so strongly. Miles Davis, but also John Coltrane, lots of drummers, Bill Evans and his trio…

Tummaa's compositions are engaging and engulfing, whole worlds of sonic wonder and journeys into the deep that will leave you gasping. The constant push for more honest and revealing emotions abut against the same desire for absolute integrity of the sonic qualities. It's a heady combination. Armstrong's waterfall piano and Rhodes infuse 'Melankolia' with sweeping emotion amid the tension and intensity of Ripatti's fractured, almost industrial percussive fragments, anticipatory fizzes and low-end hums. In some ways, this is a very gentle introduction to the incredible galaxy of sound contained on 'Kuula (Kiitos)' (translated as 'Bullet (Thank You)'), where glimmering piano bleeds into the fabric of Capece's strangled bass clarinet and muffled soprano sax, entwined with a scattering of grainy beats.

By far the most immediately striking piece is the woody, resounding animal honk of 'Mustelmia' (meaning 'Bruises') where a defiantly springy, bouncy array of volcanic beats and liquid gulps and pops erupt in response to Capece's eerie tones and textures. While 'Musta Planeetta' ('Black Planet') is a more meditative play across the keyboard timbres, 'Toive' ('Wish') builds into a crescendo of throbbing, submarine percussion, Capece's horns like distant wildlife in a tropical forest. 'Tummaa' has a cavernous dub sensibility, all ricocheting percussion and the Rhodes distilled to stabs or glistening feedback reverberations. 'Tunnelivisio' ('Tunnel Vision') burrows even deeper into the echo chamber, lending a psyche-cinematic drama to the album's finale. It's not often you find yourself both dumbfounded and emotionally spent by listening to an album, but Tummaa is a feat of uncommon musical power and magnetic force. Once introduced to Sasu Ripatti's hypnotic world, you won't ever want to leave.

Tracklisting:

1. Melankolia 
2. Kuula (Kiitos)
3. Mustelmia
4. Musta Planeetta
5. Toive
6. Tummaa
7. Tunnelivisio

-
Gigio

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Spring and winter

The forecast gives us the latest deals to take advantage of our more popular two-wheelers. Today a small revolution: the sanctuary step down San Viamaggio and then step on the path of the spin, no control, but I read yesterday that the famous Nos have struggled even to crack down on illegal races ( Link to article ). The title is deliberately forced, that the forest had implemented was a checkpoint and a roadblock, it is quite different. Turning over, I say that some motorcyclists (wrong), arrived at the extreme action to remove the plaque for the fact of not being recognized by the hidden cameras Nos. If the hypothesis were true clandestine races would agree more with an iron fist, but I consider this phenomenon a niche in the motorcycle world that I do not think it can take root in our area. To confirm this I read that most of the infringements were committed by bikers from neighboring regions or from outside the district town of Arezzo. Riders meet the local places where they live, we respect and protect them as well.

I'm gearing up to make a video that will help all motorcyclists to understand the most insidious and dangerous of our roads, a bit of web-prevention.

Doublelamps, uga78.

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Controls on our steps

The controls in this period affected the most famous mountain passes of the Tiber Valley have seen our hero in the negative category. Sweep check with massive use of people and resources that use the ambush and surprise to the long-awaited "prevention" ( link to article).

Just use technological means and resources to save lives but also protect those who just moving there for pure entertainment goes, unpretentious and without worries. The reason, as usual, lies somewhere in between, and no need to go all with the same brush, rather than try to be consistent and stable over time, providing a continuous patrols throughout the season (just a patrol) and I think passive safety equipment of the guards and guardrails.

In my opinion there is little iron fist after the dead. It 's like to admit, "was not there before and you have taken advantage, now I Famo blacks. "Everyone knew what was going on these roads even before accidents happen, but because there was all this attention? Viamaggio and Spino I walk once or twice a week and so far very few controls.

Maybe because the method of prevention put in place after certain facts is certainly more successful economically and ethically acceptable to the unfortunate.

Safe streets forever, helmet fastened and caution, always!

Doblelamps, uga78.

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Ready, steady, Via-May!


First post and presentation of obligation:

My name is Francis and I have a deep passion for motorcycles.

What prompted me to create a blog on a road?

First, the strong bond that I have for my country, along with the desire to share information and useful for all bikers, who are moved to the area of \u200b\u200bthe Tiber.

This year, unfortunately, in our country has witnessed a veritable slaughter of the centaurs, a situation that did not leave indifferent supervisors.

The intent of the blog is to provide an e-table meeting where you can meet and make new ideas to try to make preventive measures even before you get your helmet.

Doublelamps, uga78.

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AACM Great Black Music Ensemble

to you the last two wonderful concerts dell'AACM
( http://aacmchicago.org ) who did a month ago for the Morley
Umbria Jazz. Enjoy

http://wikisend.com/download/882316/AACM Great Black Music Ensemble
5-ok.mp3

http://wikisend.com/download/470444/AACM Great Black Music Ensemble
6-ok.mp3

Why Is Enlarged Heart Bad?

At 22:45 of the July 25, 1943 EIAR transmit the news of the fall of Mussolini. The leader was arrested at 17 leaving a short interview with Vittorio Emanuele III at Villa Savoia on the Via Salaria. Done up in the royal police on board an ambulance, he moved to Ponza, then translated to the Maddalena in Campo Imperatore and the Gran Sasso. That afternoon, the soldiers suddenly transported from unsuspecting Cecchignola to patrol the huge park of Villa Savoia, was the Romagna Gino Pilandri. The next morning, he recalled Pilandri Ghigi Bruno, the King, "a small, rickety, supported by two officers because it would not slip on the grass," went to distribute chocolate bars to soldiers remained on duty throughout the night.

On July 25, '43 marks a radical change in Italian history. From that date to reconstruct the events of "day of wrath," the terrible twelve months starting from September '43 to September '44, lived in Rimini and San Marino. 26 July '43: "Many people who had not heard the radio or read newspapers, had left the house unaware of what happened, as usual, bringing the distinctive crown of the beam of his jacket." [V. Reffi] begins the hunt for former Blackshirts. While along Via Garibaldi is beaten with a socket in the head five people Giuffrida Platt, an 'turned fascist "who" could not find peace ", well known in the city.

The same morning to meet some of San Marino Rimini in the dentist Dr Alvaro Casali, to organize a rally to encourage the government of San Marino to resign. Between July 27 and 28 were arrested several members of fascism Rimini: Giuffrida Platania, perinde Buratti, Eugenio Lazzarotto, Joseph and Betty Valerio Lance (who was also the Federal City). We will release the Germans on September 13. Bolton recounts: "The 27 or 28 July of '43 I went to Rome. I went with the captain of the carabinieri Bracco, who had been transferred from Rimini to Rome ... When, after ten days, I returned, my friend and fascist Motta, PS commissioner sent an agent to my house-I lived in piazza Malatesta-to see if I was there. And since I was there he sent me to say that I went to him. I did not fear: he was a friend and a fascist. It put me in jail. For protection, he said. "

Some other character with a view to seeking recommendations for the future, at the anti-fascists. This is the case of goodwill. Salvatore Corrias, Fascist Institute of Culture, which he visited the mill socialist Mario, the father of four years before quell'Ennio beaten by the boxer Benito Totti to denigrating way Roman frivolous motions. Corrias is the first anti-fascists to make speeches in the square.

[This page belongs to the volume of Antonio Montanari, "The day of wrath, September 1943-September 1944 in Rimini and San Marino
", which can be fully read or download from this link .]

Ira, 1943-44 to Rimini and San Marino

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Dante exile in Romagna

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Carl Craig & Moritz Von Oswald - Recomposed (2008)

"The interaction between the polar opposite musical concepts has always been an irresistible temptation for musicians more ambitious. In this case, looking for possible connections between classical music (or jazz) and techno pulse was often a target area for several years now. Starting from the transfiguration of the jazz fanfare Matthew Herbert Big Band, through the first wonderful CD of Murcof, and getting to the project in the same Carl Craig most relevant topic: the album "Programmed" Innerzone orchestra. The rhythms, when broken, and sustained, when warm and enchanting, they have always tried to solicit (or accommodate) an atmosphere far from being accustomed to certain melodic and structural distortions. The result, if not supported by huge inspiration and control of the media, has run often shown off-center and anachronistic.

Carl Craig and Moritz Von Oswald are two superstars of techno and will not be this test to prove it further. The diligent cooperation (exchange often remix), together with mutual respect, have led to a re-port to which artists of this caliber could only respond with such precision and diligence. The history of this operation is very short: label Deutsche Grammophon has brought it to Oswald, who contacted his friend to involve African-American, the latter accepted and has started the review process. The material chosen concerns the "Bolero" and "Rapsodie espagnole" of Ravel, and "Bilder einer Ausstellung" by Mussorgsky, two huge extrapolations from the great classic old world charm .[...]" - Alessandro Biancalana, OndaRock ( Full article HERE )

Download (Megaupload)

320 Kbps / 144 Mb

Wedding Anniversary Animation

Lura - Eclipse (2008) as

"Lura is a Cape Verdean singer who lives in Lisbon. So far, to be able to fully appreciate the energy, charm and unabashed sensuality had to listen live. But this is no longer the case. Eclipse is the work of an artist now blossomed to full maturity. Roots Lura's music is perhaps more openly than many other African artists from Cape Verde, but this CD has done a magnificent work of synthesis. He mixed the traditional ballads of morna to a more lively samba reggae and even some suggestions. It all seemed perfectly natural, and never the result of a calculation. His voice has a great personality, even when it is electronically doctored. "- Clive Davis, The Times (from International n ° 794)

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Antonio Castronuovo is a known signature. Writer and editor of the culture of Romagna "the pie", as a scholar of the future in our region has just published " Vanguard Center: figures and events of futurism in Rimini (Editrice La Mandragora, € 15).

E 'a text which covers for various reasons well emerge from the words of its author.

The first curiosity is born with the title: it's called 'resort' Futurism Rimini?

"More than in the strict sense of futurism, you can talk to Rimini and stings of heats advanced, that it is also concentrated in the summer I suggested the title of the book. In any event, even if there was a real future season of Rimini, the phenomenon across the city from 1909 to the twenties, and took on the appearance of a sort of warm euphoria, more carefree and university boys seriously futuristic. However, this euphoria s'instradò a long journey of cultural modernity and, as marginally contributed to the rejuvenation of the local culture, contribute to the process killing of the last romantic languor. This is the reason why I felt that the phenomenon went advertised and rooted. "


Many were the people who helped the adventure, and not just journalistic tools that were involved ...

"Among the figures that appear in This story is primarily Cupi Addo, the true midwife of futurism Rimini. Then Becca Benson, James Donati and others. Even Luigi Pasquini inclinations future is something he did for the movement, as now seen in several of his beautiful archival documents near Gambalunga Library. Futurism The Rimini is basically a vanguard of paper, made up of articles and pamphlets. The magazines became the bearers of the messages were mostly avant-garde journals resorts, such as "The Blue Gazzettino" and "The Pesceragno," but there were also publicistic special tools, such as "Hey .. Hop" and "The Arch" both pieces very rare ... Futurism did not fail in Rimini for a moment, so to speak, "high philosophy", ie the movement of the "dynamism" created by Donati, who also produced a poster, a form of expression beloved by the Futurists. But all went out leaving very little fire. "


Futurism The Rimini is well documented? What materials has faced?

"I wanted to write the book because this year, as is well known, is the centenary of Futurism, a century already burdened by controversy, triggered by the inability of the Scientific Committee to organize a national unitary events, which give an overall idea of \u200b\u200bthis great all-Italian avant-garde.

Yet I believe it is not possible to give this single idea: the future takes flavor into contact with the suburbs, and it is therefore logical and correct to bring out things that have been made, in fact, in many Italian cities affected by the move. That is why, after having produced over the past years various studies on the future of the city of Romagna, I now want to focus on Rimini and Ravenna (town in which I am organizing an exhibition and catalog).

Accordingly, the futurism of Rimini has been widely studied, especially by Ennio Grassi, with papers and books which are widely debtor. Let's say that I simply compared the existing studies with the original documents, by going to see, read and copy the above the Long Legs ("Arc" instead I found only Saffi in Forlì).

It came out a little book light that I wanted to print a limited edition with a cover and a little 'shouted' - as futurism commands - but without sacrificing scientific structure, complete with a bibliography reasoned and an appendix that reproduces a long article by James Donati, "The new iconoclasm."

I hope this film will certainly not very important, if nothing else can serve to attract some 'interest of Rimini to a piece of their past. Basically, all things told in the book, they were combined !...».

A note on the image. The first Futurist manifesto appears in the Journal of Emilia February 5, 1909, then came the 20th of that month in Le Figaro in Paris . Source image, " Republic of Bologna."

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between Rimini and Manchester:
Nicholas of Lyra (1270-1349)

the John Rylands Library in Manchester are the three volumes of manuscripts' Postillae "the Bible Nicholas of Lyra (1270-1349), completed in April 1402 by the Franciscan Ugolino di Marino Gibertuzzi from Sarnano in the convent of Friars Minor of Pesaro, not by order of Pandolfo III Malatesta of Rimini , (as it was written quite recently, 1988), but Malatesta "of the Sonnets" (1366c-1429) was the Pandolfo II di Pesaro (1325-1373). It is clear from the catalog (1921) of the Latin manuscripts of the same John Rylands Library. Where is the text of the Latin Gibertuzzi, at the end of the third volume of the work.

Pandolfo III Malatesta (1370-1427) married in 1386 Bianca Paola Malatesta of Pesaro , sister of Malatesta "of the Sonnets", who died in 1398 at thirty-two.
A daughter of Malatesta "of the Sonnets", Paul Malatesta, married in 1410 Gianfrancesco Gonzaga (1395-1444) of Mantua .

Gianfrancesco is the son of Francis I (1366-1407) and Margaret Malatesta (+1399) in Rimini, sister of Carlo and Pandolfo III Malatesta (1368-1429).
Carlo Malatesta, in turn, married (1386) Isabetta Gonzaga sister of Francis I. From
Gianfrancesco Gonzaga and Paolo Malatesta was born Lodovico (1412-1478) who in 1437 married Barbara of Hohenzollern, grandson of Emperor Sigismund.

The name of Lodovico Gonzaga is related to the three-volume manuscript of 'Postillae "of Nicholas of Lira present in Manchester. March 23, 1469 For he gives them to the monastic library of St. Francis of Mantua.

say they belonged to the Gonzaga also "Libelli anti-Jewish" ("Tractatus Adversus Iudeos') of Nicholas of Lyra and Jerome Hispanic (SC-MS. 39) Library currently Gambalunga Alessandro Rimini. From Gonzaga
were then donated to the Confraternity of San Girolamo Rimini them gave way, under pressure from the Roman Curia Cardinal Joseph Garampi (1753), the Long Legs (as he writes his own director, Piero MELDIN ).

Nicholas of Lyra, with its code "Super Psalmos" is one of the authors cited in the inventory stored at Perugia in 1560 and published in 1901 by Joseph Mazzatinti in an essay entitled 'The library of San Francesco (Tempio Malatesta) Rimini [now lost], contained in the book "Writings various Philology "appeared in Rome at Forzani, printers of the Senate, pp. 345-352. The essay is dated Mazzatinti 'Forli, August 1901. "

A 'Super Psalmos "(sic:" Postscript Psalmorum super librum', 1460) is preserved in a Malatestiana Cesena (now D-VI.3).
which we encounter as well, the same Nicholas of Lyra, the comments to the Old Testament (D.VI.2 and 5).

the history of
Malatesta Library of San Francesco in Rimini
the section on
Malatesta Library of San Francesco in Rimini

Antonio Montanari
(c) RESERVED REPRODUCTION

Optical Migraine Prism

Depeche Mode @ Deejay

as planned, and 'release of the new Depeche Mode.

engioi.

http://www.megaupload.com/?d=RZRFRF54

Massi

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program called Italy - February 9, 2009 (VIDEO)

Especially Massi, the interview of Depeche Mode to "Deejay called Italy", with Linus and Nicola Savino, and All Music on Radio Deejay. Program of February 9, 2009.

Download (megaupload.com)

DivX / 264.5 Mb

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Pascoli young
A volume and various omissions

Al "Young Pascoli" was dedicated to Rosita Boschetti a volume that is the catalog of the exhibition held at the San Mauro end of 2006.
In the opening chapter, many news about Johnnie's stay in Rimini (1871-72) for study.

At that period was one of its pages, "Scartabelli Nebulone of fiction writers." Rosita
Boschetti precise: she "speaks in a tone rather Pascoli a satirical writer and journalist of the time, Joseph Rovani" (p. 7).

After these words I expected to read a note with a quote that concerns me.
In fact in 2004 I wrote in the weekly Rimini "Bridge": "This is a page school, which is contained in a book entitled 'Exercises Italian poetry', though never published so far known and cited by various scholars. Mariù they said the same news , calling it a poem 'rather satirical '. When Saturday, March 20 (2004) romped [...] prof. Capecchi, he suggested I try to find who was to 'novelist' in Pastures in caricature put the lives and works in Rimini homework. Capecchi's words allow me to present publicly the results of the research. "
reproduce the full article at the end of 2004.

Some stay in Rimini Pastures should be added that the house" located in a building interior via S. Simone "(p. 6, this is not the words of Mariù Pascoli cited in the notes), it will" match the current number 17, "as I wrote in" Rimini Pastures "(History Book No. 3, Issue Bridge , Rimini 1995).

Finally, as in Rosita Guido Nozzoli Boschetti has been widely cited, whose writings on the subject (which occupy the first half of the page. 70) were released by me in 2003 in his essay "Zoca and manera." Giovanni Pascoli student in Rimini (1871-1872) contained in the book "socialist pastures." Again, no mention of the secondary source, my text.


Article by 2004 .

Pascoli in Rimini, a student "rather satirical"
In "Prose missing" new aspects of his personality

The "missing Prose" published by Giovanni Pascoli Carabba (Lanciano, 2004, pp. 536, € 21) were presented at the Villa Torlonia di San Mauro Saturday, March 20 by the author, John Capecchi, and Marino Biondi who gave a passionate and profound lesson on the figure of Johnnie, in relation this volume and the human experience that is reflected.
Capecchi, in the introduction to the book, explains the importance of the collection that allows you to find the echoes of the events Pascoli in the production of prose. For example, he cites the tragedy of the marriage of Ida, "that followed the collapse of the project of marriage with his cousin Pascoli Imelde wrecked by the intervention of the stormy Mariù. Even the pages of literary criticism, he adds Capecchi, contain "explicit references to 'personal experiences.
autobiographical confession is a curious example in a review of 1898 in regard of the 'farmer' of Menander, story ends with the celebration of a marriage, "after pointing out the joy that would have rocked the couple," says Capecchi, the poet is unable to restrain himself and relates to the happiness of the spouses (and Ida who had his marriage) with her fate as a bachelor without love, adding a conclusion that he had to cost a sigh of self-pity and makes you smile otherwise readers: "Enough: they stood, he enjoyed, and to me they gave me nothing." John goes down from the bench of the researcher solemn severe and it seems that s'ingaglioffi between the benches of a tavern gossip to tell hidden stories, or perhaps more obvious to everyone that he himself, in order to vent "this malignancy of my kind," to use the same words Machiavelli in the famous letter to Francesco Vettori.
The first of the "scattered prose" is from 1872, when John was in high school to study Gambalunga Rimini, and is entitled 'Scartabelli Nebulone of fiction writers. " This is a page school, which is contained in a book entitled 'Exercises Italian poetry' ever published to date even if known and cited by various scholars. Mariù same news he said, calling it a poem, "rather than satirical." When I said goodbye Saturday, March 20 at the end of the presentation, Professor. Capecchi, he suggested I try to find who was to 'novelist' in Pastures in caricature put the lives and works in Rimini homework. Capecchi's words allow me to present publicly the results of research.
Pascoli Rovani speaks of Joseph (1818-1874), known for his work as a novelist and journalist. Calls it "Nebulone ', using a Latin word meaning charlatan. Rovani made history of his country have written letters to the novel "One Hundred Years," appeared in serial form on the Gazzetta di Milano (1857-1858). Pastures he says: "When it puts out a novel," if he sees "quartered and sliced \u200b\u200bit instead 'papers." Another clue
Nebulone. It is said, Johnnie says, that he "consumed much wine to toy Istud that oil." Rovani we know from the biographies of "the habit of a wild life and the inclination to drink" alcohol brought him to death (as in R. Facciolo 'bio-bibliographical Dictionary ", II, Einaudi, 1991, p. 1542) . Rovani began poor and ended up rich: how the Nebulone Pascoli, "the INOP afterwards he had turned away from the revelry, and Datolo muses."
Nebulone, continued grazing, "generally professed communist and internationalist, and says the assets have to be equal of all, and not be securities, nor any kind of distinction. " Rovani he worked as Mazzini uprisings in Venice and Rome in 1848, and was then exiled in Canton Ticino with Mazzini and Cattaneo Pisacane. Names that describe a policy agreeable to the student Pascoli in Rimini.
The coincidences between the portrait of Nebulone and true biography Rovani should not admit doubt. It remains to say something about the tone "rather satirical" of this page. Capecchi notes: in the days of your stay in Rimini Pascoli "there was much talk, in Romagna, of anarchy, of internationalism, communism, and the young pasture in the compilation of the year the school would not be immune from these discussions that reached its attentive ears. " Nebulone represents the "writer attached to money than to literature, flatterer of the powerful but also the people that ensure success, able to write and speak without thinking, 'verbose novelist, oscillating in its political attitudes. Pascoli describes his Nebulone as a "rich overflowing" but "in times of famine greenhouse barns," while trouble "for a title of nobility."
are arguments that make it very scratchy page Pascoli, whose manifest content brood fiercely political aspiration in the warmth of friendships Rimini. The portrait of Nebulone boils down to beat that return a withering look hidden young high school student. The works of that writer recandole benefit mankind the precious gift of sleep, which avoids the use of "a serious price" and the opium poppy. And show that we are faced with a true reformer of the literature, living proof that you can (and should) 'to speak and write without thinking. "


Add a citation to Article I (April 17, 2004) from "Future". Where Rosita Copioli under the title "So out of the nest's prose Pascoli", wrote: "... grazing in high school that targets Rimini 'Nebulone novelist', who then identified Antonio Montanari Giuseppe Rovani.

Antonio Montanari